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Transgressive North presents
the folk film gathering
The world’s first annual festival
of folk cinema
in association with
edinburgh filmhouse
Curated by Transgressive North, the Folk Film Gathering is the world’s first folk film festival, screening films that celebrate the lived experiences of communities worldwide. Each annual edition explores the relationships between cinema and other traditional arts (such as oral storytelling and folk song), discovering what a folk cinema has been at moments throughout world film history, and how it may look in the future.
In 2022 our screenings and events take place at EDINBURGH FILMHOUSE and the SCOTTISH STORYTELLING CENTRE
TICKETS:
Standard (15+) £10, Concession £8,
All Day Sunday Tickets £5
Concs: students; 16-25; income support; disability; over-65s
All Day Sunday excludes select screenings.
ONLINE SCREENINGS / EVENTS
£ Pay what you can (more info soon)
£ Pay what you can
2022 programme
Folk Film Gathering 2022
click to view poster
or scroll right for a synopsis of each film
or scroll right for a synopsis of each film
Mairi Mhor
Friday 17th June 2022 | Edinburgh Filmhouse | 18:15
Mike Alexander | Scotland |
1994 | 63 minutes | PG |
English and Scottish Gaelic with English subtitles
Written by John McGrath, Mairi Mhor is a powerful tribute to the Isle of Skye’s 19th century warrior poet, Mary McPherson, Big Mary of the Songs. Shot on Skye and featuring the unmistakeable voice of Catriona-Anna Nic a’ Phi (Catherine-Ann MacPhee), the film documents Mairi Mhor’s passionate resistance to the displacement of Scottish communities during the Highland Clearances through songs that remain resonant to this day.
The film will be introduced by a mini-concert of Skye songs from Deirdre Graham.
Presented with the kind support of Bòrd na Gàidhlig.
This screening is FREE! Tickets are available from Edinburgh Filmhouse on a first-come, first-served basis.
Mike Alexander | Scotland |
1994 | 63 minutes | PG |
English and Scottish Gaelic with English subtitles
Written by John McGrath, Mairi Mhor is a powerful tribute to the Isle of Skye’s 19th century warrior poet, Mary McPherson, Big Mary of the Songs. Shot on Skye and featuring the unmistakeable voice of Catriona-Anna Nic a’ Phi (Catherine-Ann MacPhee), the film documents Mairi Mhor’s passionate resistance to the displacement of Scottish communities during the Highland Clearances through songs that remain resonant to this day.
The film will be introduced by a mini-concert of Skye songs from Deirdre Graham.
Presented with the kind support of Bòrd na Gàidhlig.
This screening is FREE! Tickets are available from Edinburgh Filmhouse on a first-come, first-served basis.
Gerda Stevenson
Saturday 18th June | Edinburgh Filmhouse | 18:00
The Films of Gerda Stevenson
An Ìobairt / The Sacrifice
Gerda Stevenson | Scotland | 1996 | 25 min | 12A | Gaelic with English subtitles
The Storm Watchers
Gerda Stevenson | Scotland | 2021 | 40 min | 12A | English
Join us for an evening celebrating the films of one of Scotland’s most distinctive filmmakers, Gerda Stevenson. In An Ìobairt, dormant echoes of the past within the Scottish landscape re-emerge to haunt the present, whilst The Storm Watchers (an innovative adaptation of George Mackay Brown’s play, shot during lockdown) presents the voices and perspectives of a series of women waiting upon the shore for their seafaring husbands to return.
The films will be introduced with a mini-concert of songs Margaret Bennett (who also features in An Ìobairt) and will be followed by a Q&A with Gerda Stevenson. Presented with the kind support of Bòrd na Gàidhlig.
The Films of Gerda Stevenson
An Ìobairt / The Sacrifice
Gerda Stevenson | Scotland | 1996 | 25 min | 12A | Gaelic with English subtitles
The Storm Watchers
Gerda Stevenson | Scotland | 2021 | 40 min | 12A | English
Join us for an evening celebrating the films of one of Scotland’s most distinctive filmmakers, Gerda Stevenson. In An Ìobairt, dormant echoes of the past within the Scottish landscape re-emerge to haunt the present, whilst The Storm Watchers (an innovative adaptation of George Mackay Brown’s play, shot during lockdown) presents the voices and perspectives of a series of women waiting upon the shore for their seafaring husbands to return.
The films will be introduced with a mini-concert of songs Margaret Bennett (who also features in An Ìobairt) and will be followed by a Q&A with Gerda Stevenson. Presented with the kind support of Bòrd na Gàidhlig.
Icarus (After Amelia)
Sunday 19th June 2022 | Edinburgh Filmhouse | 18:00
Margaret Salmon | Scotland | 2021 | 58 min | 12A | Documentary | English
Filmed during subsequent Covid lockdowns in and around Govan, Icarus (after Amelia) is an exquisitely observed documentary exploring the often invisible work undertaken by women in Scottish communities. Beautifully captured on 35mm colour film, and drawing upon a diverse chorus of experiences, Salmon’s film is both a thoughtful investigation of female labour, and a tribute to the role played by women across Glasgow during the pandemic.
The film will be introduced with a short set of live music from Shea Martin and Jessie Moroney and will be followed by a Q&A with Margaret Salmon.
Margaret Salmon | Scotland | 2021 | 58 min | 12A | Documentary | English
Filmed during subsequent Covid lockdowns in and around Govan, Icarus (after Amelia) is an exquisitely observed documentary exploring the often invisible work undertaken by women in Scottish communities. Beautifully captured on 35mm colour film, and drawing upon a diverse chorus of experiences, Salmon’s film is both a thoughtful investigation of female labour, and a tribute to the role played by women across Glasgow during the pandemic.
The film will be introduced with a short set of live music from Shea Martin and Jessie Moroney and will be followed by a Q&A with Margaret Salmon.
Iorram (Boat Song)
Monday 20th June | Edinburgh Filmhouse | 18:00
Alastair Cole | Scotland | 2021 | 96min | PG | Documentary | Scottish Gaelic with English subtitles
The first theatrical documentary shot entirely in Scottish Gaelic, Iorram is a lyrical portrait of the experiences of Hebridean fishing communities. Featuring a diverse variety of voices past and present, the film weaves a rich tapestry of folklore, oral history and community memories of a life lived in conversation with the sea, set in counterpoint with the landscapes of the Outer Hebrides.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Alastair Cole | Scotland | 2021 | 96min | PG | Documentary | Scottish Gaelic with English subtitles
The first theatrical documentary shot entirely in Scottish Gaelic, Iorram is a lyrical portrait of the experiences of Hebridean fishing communities. Featuring a diverse variety of voices past and present, the film weaves a rich tapestry of folklore, oral history and community memories of a life lived in conversation with the sea, set in counterpoint with the landscapes of the Outer Hebrides.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Vai
Tuesday 21st June 2022 | Edinburgh Filmhouse | 20:45
Marina Alofagia McCartney | Amberley Jo Aumua | Becs Arahanga | Matasila Freshwater | Dianna Fuemana | Míria George | 'Ofa-Ki-Levuka Guttenbeil-Likiliki | Nicole Whippy | Sharon Whippy | Aotearoa New Zealand | 2019 | 90 min | 12A
A portmanteau film by nine female Pacific filmmakers, filmed across seven Pacific countries, Vai is a unique and innovative film that draws upon diverse perspectives to tell the story of one woman across nine different days in her life. Played by a series of different actors, and shaped by a variety of distinct directorial voices, Vai captures the multifaceted experience of being a Pacific Island woman whilst maintaining a dexterous continuity of style and mood.
Marina Alofagia McCartney | Amberley Jo Aumua | Becs Arahanga | Matasila Freshwater | Dianna Fuemana | Míria George | 'Ofa-Ki-Levuka Guttenbeil-Likiliki | Nicole Whippy | Sharon Whippy | Aotearoa New Zealand | 2019 | 90 min | 12A
A portmanteau film by nine female Pacific filmmakers, filmed across seven Pacific countries, Vai is a unique and innovative film that draws upon diverse perspectives to tell the story of one woman across nine different days in her life. Played by a series of different actors, and shaped by a variety of distinct directorial voices, Vai captures the multifaceted experience of being a Pacific Island woman whilst maintaining a dexterous continuity of style and mood.
From Us to Me
Wednesday 22nd June 2022 | Edinburgh Filmhouse | 17:50
Amber Collective | England | 2016 | 87 min | 12A | Documentary | German with English subtitles
In 1987 the Amber Collective were the only British film crew allowed into the GDR, to
document the lives of a fishing co-operative and a Brigade of Women Crane Drivers in Rostock, East Germany. 36 years later, Amber returned to track down the individuals they had first met in 1987 to find out how their lives had changed in the years since. A unique, powerful documentary that troubles certain assumptions about the fall of the Berlin wall, From Us to Me explores some of the many stories of ‘Die Wende’ (the turn), of the changes experienced by ordinary people during the collapse of the GDR. Asking what was gained and what was lost?
The film will be introduced with a short set of songs bridging Scotland and Germany from Steve Byrne, and will be followed by a Q&A with the filmmakers.
Amber Collective | England | 2016 | 87 min | 12A | Documentary | German with English subtitles
In 1987 the Amber Collective were the only British film crew allowed into the GDR, to
document the lives of a fishing co-operative and a Brigade of Women Crane Drivers in Rostock, East Germany. 36 years later, Amber returned to track down the individuals they had first met in 1987 to find out how their lives had changed in the years since. A unique, powerful documentary that troubles certain assumptions about the fall of the Berlin wall, From Us to Me explores some of the many stories of ‘Die Wende’ (the turn), of the changes experienced by ordinary people during the collapse of the GDR. Asking what was gained and what was lost?
The film will be introduced with a short set of songs bridging Scotland and Germany from Steve Byrne, and will be followed by a Q&A with the filmmakers.
Film Ceilidh: Selkie Stories
Thursday 23rd June 2022 | Edinburgh Filmhouse | 18:15
A Selkie Story
George Macpherson | Scotland | 2022 | 13 min | 12A | English
Mara: The Seal Wife
Uisdean Murray | Scotland | 2021 | 40 min | 12A | English
Seals’kin
Hanna Tuulikki | Scotland | 2022 | 20 min | 12A
Join us for a unique event hosted by the Scottish Storytelling Centre’s Donald Smith exploring Scotland’s rich folklore of the seal people - selkies - and some of the different ways in which filmmakers have brought selkie tales to the big screen. The event will include a filmed traditional selkie story from the highland sennachie George Macpherson, an achingly romantic new interpretation of Hebridean selkie tales in Mara: the Seal Wife, and the Scottish premiere of Hanna Tuuliki’s mesmerising new film Seals’kin.
The films will be introduced with live selkie tales from Donald Smith.
A Selkie Story
George Macpherson | Scotland | 2022 | 13 min | 12A | English
Mara: The Seal Wife
Uisdean Murray | Scotland | 2021 | 40 min | 12A | English
Seals’kin
Hanna Tuulikki | Scotland | 2022 | 20 min | 12A
Join us for a unique event hosted by the Scottish Storytelling Centre’s Donald Smith exploring Scotland’s rich folklore of the seal people - selkies - and some of the different ways in which filmmakers have brought selkie tales to the big screen. The event will include a filmed traditional selkie story from the highland sennachie George Macpherson, an achingly romantic new interpretation of Hebridean selkie tales in Mara: the Seal Wife, and the Scottish premiere of Hanna Tuuliki’s mesmerising new film Seals’kin.
The films will be introduced with live selkie tales from Donald Smith.
Songs of the Open Road
Friday 24th June 2022 | Edinburgh Filmhouse | 18:15
Pat Collins | Ireland | 2022 | 50 minutes | 12A | Documentary | English
At the age of 10, Thomas McCarthy left County Offaly in Ireland and moved to London to live
with his siblings and mother in a halting site under the A40, the Westway, in West London, which members of the Traveller community still inhabit. Today he is one of Ireland’s most significant singers and the keeper of more than 1200 of Ireland’s oldest songs. Pat Collins lyrical, poignant documentary explores Thomas’ life and the deep resonance his songs continue to hold.
This film will be introduced with a mini-concert from the Scots traveller singer-storyteller, Jess Smith.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Pat Collins | Ireland | 2022 | 50 minutes | 12A | Documentary | English
At the age of 10, Thomas McCarthy left County Offaly in Ireland and moved to London to live
with his siblings and mother in a halting site under the A40, the Westway, in West London, which members of the Traveller community still inhabit. Today he is one of Ireland’s most significant singers and the keeper of more than 1200 of Ireland’s oldest songs. Pat Collins lyrical, poignant documentary explores Thomas’ life and the deep resonance his songs continue to hold.
This film will be introduced with a mini-concert from the Scots traveller singer-storyteller, Jess Smith.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Dark Horse on the Wind
Saturday 25th June 2022 | Edinburgh Filmhouse | 17:10
Myles O’Reilly | Ireland | 2022 | 105 min | 12A | Documentary | English
A larger-than-life figure on the Irish folk scene, Dark Horse on the Wind celebrates the life and songs of ballad singer Liam Weldon. Featuring contributions from young musicians such as Lankum, Lisa O’Neill and many more, Myles O’Reilly’s film celebrates a legendary character that Ireland almost forgot, and the vast footprint his songs and words have left behind in the
consciousness of the Irish diaspora.
The film will be introduced with a mini-concert from Irish musician Cathal McConnell (Boys
Of The Lough) and followed by a discussion led by Cathal about his memories of Liam Weldon.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Myles O’Reilly | Ireland | 2022 | 105 min | 12A | Documentary | English
A larger-than-life figure on the Irish folk scene, Dark Horse on the Wind celebrates the life and songs of ballad singer Liam Weldon. Featuring contributions from young musicians such as Lankum, Lisa O’Neill and many more, Myles O’Reilly’s film celebrates a legendary character that Ireland almost forgot, and the vast footprint his songs and words have left behind in the
consciousness of the Irish diaspora.
The film will be introduced with a mini-concert from Irish musician Cathal McConnell (Boys
Of The Lough) and followed by a discussion led by Cathal about his memories of Liam Weldon.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Film Ceilidh: Who Owns the Land?
Sunday 26th June 2022 | Edinburgh Filmhouse | 15:00
The Glen is Ours
Henry Cass | Scotland | 1946 | 30 min | U | English
Gigha: Buying Our Island
Emma Davie | Scotland | 2003 | 60 min | 12A | Documentary | English
Join us for a special event of music, film and discussion exploring the ongoing question of
land rights in Scotland. In the drama The Glen is Ours, a returning soldier leads his community to oppose the sale of the Scottish glen in which they live, whereas the documentary Gigha: Buying Our Island, filmed in the early 00's follows a year in the lives of the Gigha community as they experience the highs, lows and responsibilities of owning their own island home.
The films will be introduced with a short set of live music from Adam Sutherland and followed by an audience discussion on land reform in Scotland, led by a panel of speakers from Bella Caledonia, hosted by Mike Small.
The Glen is Ours
Henry Cass | Scotland | 1946 | 30 min | U | English
Gigha: Buying Our Island
Emma Davie | Scotland | 2003 | 60 min | 12A | Documentary | English
Join us for a special event of music, film and discussion exploring the ongoing question of
land rights in Scotland. In the drama The Glen is Ours, a returning soldier leads his community to oppose the sale of the Scottish glen in which they live, whereas the documentary Gigha: Buying Our Island, filmed in the early 00's follows a year in the lives of the Gigha community as they experience the highs, lows and responsibilities of owning their own island home.
The films will be introduced with a short set of live music from Adam Sutherland and followed by an audience discussion on land reform in Scotland, led by a panel of speakers from Bella Caledonia, hosted by Mike Small.
Films of Action: Coalfield Communities in Lockdown
Wednesday 29th June 2022 | Scottish Storytelling Centre | 17:00
Various Community Filmmakers | Scotland | 2020-22 | 75
Minutes | N/C | Documentary | English with descriptive subtitles
When the pandemic hit in March 2020, it highlighted the inequalities that remain long after the mines closed in Scotland’s coalfields. It also demonstrated how resilient coalfield communities are in finding solutions to their own challenges, quickly self-organising to support residents who are vulnerable or in need; from sharing the responsibility of food provision to collectively writing songs of activism.
Films of Action is a community filmmaking project founded upon the belief that Scotland’s former coalmining areas – in which 10 per cent of the population live – have many inspiring stories to tell. Filmmakers Anne Milne and Shona Thomson worked with the Coalfields Regeneration Trust and Regional Screen Scotland to share big screen stories of lockdown told in people’s own voices. Come along to watch a selection and meet the real on-screen stars, followed by an open discussion on the action needed to support thriving communities.
Various Community Filmmakers | Scotland | 2020-22 | 75
Minutes | N/C | Documentary | English with descriptive subtitles
When the pandemic hit in March 2020, it highlighted the inequalities that remain long after the mines closed in Scotland’s coalfields. It also demonstrated how resilient coalfield communities are in finding solutions to their own challenges, quickly self-organising to support residents who are vulnerable or in need; from sharing the responsibility of food provision to collectively writing songs of activism.
Films of Action is a community filmmaking project founded upon the belief that Scotland’s former coalmining areas – in which 10 per cent of the population live – have many inspiring stories to tell. Filmmakers Anne Milne and Shona Thomson worked with the Coalfields Regeneration Trust and Regional Screen Scotland to share big screen stories of lockdown told in people’s own voices. Come along to watch a selection and meet the real on-screen stars, followed by an open discussion on the action needed to support thriving communities.
The Sang's the Thing
Friday 1st July 2022 | Scottish Storytelling Centre | 17:00
Doc Rowe | England | 2020
Join us for a rare opportunity to watch Doc Rowe’s newly-edited documentary collecting performances of some of Scotland’s most notable singers, including Lizzie Higgins, Ray Fisher, Jane Turriff, the Stewarts of Blair, Willie Scott, Hamish Henderson, Tam Reid,
and Dave & Betty Campbell. Drawn from Doc’s considerable archive of recordings taken over the past 40 years, The Sang’s The Thing offers an unparalleled glimpse into the Scottish folk revival.
The film will be introduced with a short set of live music from Jimmy Hutchison.
Doc Rowe | England | 2020
Join us for a rare opportunity to watch Doc Rowe’s newly-edited documentary collecting performances of some of Scotland’s most notable singers, including Lizzie Higgins, Ray Fisher, Jane Turriff, the Stewarts of Blair, Willie Scott, Hamish Henderson, Tam Reid,
and Dave & Betty Campbell. Drawn from Doc’s considerable archive of recordings taken over the past 40 years, The Sang’s The Thing offers an unparalleled glimpse into the Scottish folk revival.
The film will be introduced with a short set of live music from Jimmy Hutchison.
Folk Film Gathering 2022
Flyer page 1
click to view
or scroll right for a synopsis of each film
click to view
or scroll right for a synopsis of each film
Folk Film Gathering 2022
Flyer page 2
click to view
or scroll right for a synopsis of each film
click to view
or scroll right for a synopsis of each film
Folk Film Gathering 2022
Flyer page 3
click to view
or scroll right for a synopsis of each film
click to view
or scroll right for a synopsis of each film
Folk Film Gathering 2022
click to view poster
or scroll right for a synopsis of each film
or scroll right for a synopsis of each film
Mairi Mhor
Friday 17th June 2022 | Edinburgh Filmhouse | 18:15
Mike Alexander | Scotland |
1994 | 63 minutes | PG |
English and Scottish Gaelic with English subtitles
Written by John McGrath, Mairi Mhor is a powerful tribute to the Isle of Skye’s 19th century warrior poet, Mary McPherson, Big Mary of the Songs. Shot on Skye and featuring the unmistakeable voice of Catriona-Anna Nic a’ Phi (Catherine-Ann MacPhee), the film documents Mairi Mhor’s passionate resistance to the displacement of Scottish communities during the Highland Clearances through songs that remain resonant to this day.
The film will be introduced by a mini-concert of Skye songs from Deirdre Graham.
Presented with the kind support of Bòrd na Gàidhlig.
This screening is FREE! Tickets are available from Edinburgh Filmhouse on a first-come, first-served basis.
Mike Alexander | Scotland |
1994 | 63 minutes | PG |
English and Scottish Gaelic with English subtitles
Written by John McGrath, Mairi Mhor is a powerful tribute to the Isle of Skye’s 19th century warrior poet, Mary McPherson, Big Mary of the Songs. Shot on Skye and featuring the unmistakeable voice of Catriona-Anna Nic a’ Phi (Catherine-Ann MacPhee), the film documents Mairi Mhor’s passionate resistance to the displacement of Scottish communities during the Highland Clearances through songs that remain resonant to this day.
The film will be introduced by a mini-concert of Skye songs from Deirdre Graham.
Presented with the kind support of Bòrd na Gàidhlig.
This screening is FREE! Tickets are available from Edinburgh Filmhouse on a first-come, first-served basis.
Gerda Stevenson
Saturday 18th June | Edinburgh Filmhouse | 18:00
The Films of Gerda Stevenson
An Ìobairt / The Sacrifice
Gerda Stevenson | Scotland | 1996 | 25 min | 12A | Gaelic with English subtitles
The Storm Watchers
Gerda Stevenson | Scotland | 2021 | 40 min | 12A | English
Join us for an evening celebrating the films of one of Scotland’s most distinctive filmmakers, Gerda Stevenson. In An Ìobairt, dormant echoes of the past within the Scottish landscape re-emerge to haunt the present, whilst The Storm Watchers (an innovative adaptation of George Mackay Brown’s play, shot during lockdown) presents the voices and perspectives of a series of women waiting upon the shore for their seafaring husbands to return.
The films will be introduced with a mini-concert of songs Margaret Bennett (who also features in An Ìobairt) and will be followed by a Q&A with Gerda Stevenson. Presented with the kind support of Bòrd na Gàidhlig.
The Films of Gerda Stevenson
An Ìobairt / The Sacrifice
Gerda Stevenson | Scotland | 1996 | 25 min | 12A | Gaelic with English subtitles
The Storm Watchers
Gerda Stevenson | Scotland | 2021 | 40 min | 12A | English
Join us for an evening celebrating the films of one of Scotland’s most distinctive filmmakers, Gerda Stevenson. In An Ìobairt, dormant echoes of the past within the Scottish landscape re-emerge to haunt the present, whilst The Storm Watchers (an innovative adaptation of George Mackay Brown’s play, shot during lockdown) presents the voices and perspectives of a series of women waiting upon the shore for their seafaring husbands to return.
The films will be introduced with a mini-concert of songs Margaret Bennett (who also features in An Ìobairt) and will be followed by a Q&A with Gerda Stevenson. Presented with the kind support of Bòrd na Gàidhlig.
Icarus (After Amelia)
Sunday 19th June 2022 | Edinburgh Filmhouse | 18:00
Margaret Salmon | Scotland | 2021 | 58 min | 12A | Documentary | English
Filmed during subsequent Covid lockdowns in and around Govan, Icarus (after Amelia) is an exquisitely observed documentary exploring the often invisible work undertaken by women in Scottish communities. Beautifully captured on 35mm colour film, and drawing upon a diverse chorus of experiences, Salmon’s film is both a thoughtful investigation of female labour, and a tribute to the role played by women across Glasgow during the pandemic.
The film will be introduced with a short set of live music from Shea Martin and Jessie Moroney and will be followed by a Q&A with Margaret Salmon.
Margaret Salmon | Scotland | 2021 | 58 min | 12A | Documentary | English
Filmed during subsequent Covid lockdowns in and around Govan, Icarus (after Amelia) is an exquisitely observed documentary exploring the often invisible work undertaken by women in Scottish communities. Beautifully captured on 35mm colour film, and drawing upon a diverse chorus of experiences, Salmon’s film is both a thoughtful investigation of female labour, and a tribute to the role played by women across Glasgow during the pandemic.
The film will be introduced with a short set of live music from Shea Martin and Jessie Moroney and will be followed by a Q&A with Margaret Salmon.
Iorram (Boat Song)
Monday 20th June | Edinburgh Filmhouse | 18:00
Alastair Cole | Scotland | 2021 | 96min | PG | Documentary | Scottish Gaelic with English subtitles
The first theatrical documentary shot entirely in Scottish Gaelic, Iorram is a lyrical portrait of the experiences of Hebridean fishing communities. Featuring a diverse variety of voices past and present, the film weaves a rich tapestry of folklore, oral history and community memories of a life lived in conversation with the sea, set in counterpoint with the landscapes of the Outer Hebrides.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Alastair Cole | Scotland | 2021 | 96min | PG | Documentary | Scottish Gaelic with English subtitles
The first theatrical documentary shot entirely in Scottish Gaelic, Iorram is a lyrical portrait of the experiences of Hebridean fishing communities. Featuring a diverse variety of voices past and present, the film weaves a rich tapestry of folklore, oral history and community memories of a life lived in conversation with the sea, set in counterpoint with the landscapes of the Outer Hebrides.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Vai
Tuesday 21st June 2022 | Edinburgh Filmhouse | 20:45
Marina Alofagia McCartney | Amberley Jo Aumua | Becs Arahanga | Matasila Freshwater | Dianna Fuemana | Míria George | 'Ofa-Ki-Levuka Guttenbeil-Likiliki | Nicole Whippy | Sharon Whippy | Aotearoa New Zealand | 2019 | 90 min | 12A
A portmanteau film by nine female Pacific filmmakers, filmed across seven Pacific countries, Vai is a unique and innovative film that draws upon diverse perspectives to tell the story of one woman across nine different days in her life. Played by a series of different actors, and shaped by a variety of distinct directorial voices, Vai captures the multifaceted experience of being a Pacific Island woman whilst maintaining a dexterous continuity of style and mood.
Marina Alofagia McCartney | Amberley Jo Aumua | Becs Arahanga | Matasila Freshwater | Dianna Fuemana | Míria George | 'Ofa-Ki-Levuka Guttenbeil-Likiliki | Nicole Whippy | Sharon Whippy | Aotearoa New Zealand | 2019 | 90 min | 12A
A portmanteau film by nine female Pacific filmmakers, filmed across seven Pacific countries, Vai is a unique and innovative film that draws upon diverse perspectives to tell the story of one woman across nine different days in her life. Played by a series of different actors, and shaped by a variety of distinct directorial voices, Vai captures the multifaceted experience of being a Pacific Island woman whilst maintaining a dexterous continuity of style and mood.
From Us to Me
Wednesday 22nd June 2022 | Edinburgh Filmhouse | 17:50
Amber Collective | England | 2016 | 87 min | 12A | Documentary | German with English subtitles
In 1987 the Amber Collective were the only British film crew allowed into the GDR, to
document the lives of a fishing co-operative and a Brigade of Women Crane Drivers in Rostock, East Germany. 36 years later, Amber returned to track down the individuals they had first met in 1987 to find out how their lives had changed in the years since. A unique, powerful documentary that troubles certain assumptions about the fall of the Berlin wall, From Us to Me explores some of the many stories of ‘Die Wende’ (the turn), of the changes experienced by ordinary people during the collapse of the GDR. Asking what was gained and what was lost?
The film will be introduced with a short set of songs bridging Scotland and Germany from Steve Byrne, and will be followed by a Q&A with the filmmakers.
Amber Collective | England | 2016 | 87 min | 12A | Documentary | German with English subtitles
In 1987 the Amber Collective were the only British film crew allowed into the GDR, to
document the lives of a fishing co-operative and a Brigade of Women Crane Drivers in Rostock, East Germany. 36 years later, Amber returned to track down the individuals they had first met in 1987 to find out how their lives had changed in the years since. A unique, powerful documentary that troubles certain assumptions about the fall of the Berlin wall, From Us to Me explores some of the many stories of ‘Die Wende’ (the turn), of the changes experienced by ordinary people during the collapse of the GDR. Asking what was gained and what was lost?
The film will be introduced with a short set of songs bridging Scotland and Germany from Steve Byrne, and will be followed by a Q&A with the filmmakers.
Film Ceilidh: Selkie Stories
Thursday 23rd June 2022 | Edinburgh Filmhouse | 18:15
A Selkie Story
George Macpherson | Scotland | 2022 | 13 min | 12A | English
Mara: The Seal Wife
Uisdean Murray | Scotland | 2021 | 40 min | 12A | English
Seals’kin
Hanna Tuulikki | Scotland | 2022 | 20 min | 12A
Join us for a unique event hosted by the Scottish Storytelling Centre’s Donald Smith exploring Scotland’s rich folklore of the seal people - selkies - and some of the different ways in which filmmakers have brought selkie tales to the big screen. The event will include a filmed traditional selkie story from the highland sennachie George Macpherson, an achingly romantic new interpretation of Hebridean selkie tales in Mara: the Seal Wife, and the Scottish premiere of Hanna Tuuliki’s mesmerising new film Seals’kin.
The films will be introduced with live selkie tales from Donald Smith.
A Selkie Story
George Macpherson | Scotland | 2022 | 13 min | 12A | English
Mara: The Seal Wife
Uisdean Murray | Scotland | 2021 | 40 min | 12A | English
Seals’kin
Hanna Tuulikki | Scotland | 2022 | 20 min | 12A
Join us for a unique event hosted by the Scottish Storytelling Centre’s Donald Smith exploring Scotland’s rich folklore of the seal people - selkies - and some of the different ways in which filmmakers have brought selkie tales to the big screen. The event will include a filmed traditional selkie story from the highland sennachie George Macpherson, an achingly romantic new interpretation of Hebridean selkie tales in Mara: the Seal Wife, and the Scottish premiere of Hanna Tuuliki’s mesmerising new film Seals’kin.
The films will be introduced with live selkie tales from Donald Smith.
Songs of the Open Road
Friday 24th June 2022 | Edinburgh Filmhouse | 18:15
Pat Collins | Ireland | 2022 | 50 minutes | 12A | Documentary | English
At the age of 10, Thomas McCarthy left County Offaly in Ireland and moved to London to live
with his siblings and mother in a halting site under the A40, the Westway, in West London, which members of the Traveller community still inhabit. Today he is one of Ireland’s most significant singers and the keeper of more than 1200 of Ireland’s oldest songs. Pat Collins lyrical, poignant documentary explores Thomas’ life and the deep resonance his songs continue to hold.
This film will be introduced with a mini-concert from the Scots traveller singer-storyteller, Jess Smith.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Pat Collins | Ireland | 2022 | 50 minutes | 12A | Documentary | English
At the age of 10, Thomas McCarthy left County Offaly in Ireland and moved to London to live
with his siblings and mother in a halting site under the A40, the Westway, in West London, which members of the Traveller community still inhabit. Today he is one of Ireland’s most significant singers and the keeper of more than 1200 of Ireland’s oldest songs. Pat Collins lyrical, poignant documentary explores Thomas’ life and the deep resonance his songs continue to hold.
This film will be introduced with a mini-concert from the Scots traveller singer-storyteller, Jess Smith.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Dark Horse on the Wind
Saturday 25th June 2022 | Edinburgh Filmhouse | 17:10
Myles O’Reilly | Ireland | 2022 | 105 min | 12A | Documentary | English
A larger-than-life figure on the Irish folk scene, Dark Horse on the Wind celebrates the life and songs of ballad singer Liam Weldon. Featuring contributions from young musicians such as Lankum, Lisa O’Neill and many more, Myles O’Reilly’s film celebrates a legendary character that Ireland almost forgot, and the vast footprint his songs and words have left behind in the
consciousness of the Irish diaspora.
The film will be introduced with a mini-concert from Irish musician Cathal McConnell (Boys
Of The Lough) and followed by a discussion led by Cathal about his memories of Liam Weldon.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Myles O’Reilly | Ireland | 2022 | 105 min | 12A | Documentary | English
A larger-than-life figure on the Irish folk scene, Dark Horse on the Wind celebrates the life and songs of ballad singer Liam Weldon. Featuring contributions from young musicians such as Lankum, Lisa O’Neill and many more, Myles O’Reilly’s film celebrates a legendary character that Ireland almost forgot, and the vast footprint his songs and words have left behind in the
consciousness of the Irish diaspora.
The film will be introduced with a mini-concert from Irish musician Cathal McConnell (Boys
Of The Lough) and followed by a discussion led by Cathal about his memories of Liam Weldon.
The screening will include closed captions for D/deaf and Hard-of-Hearing audiences. [CC]
Film Ceilidh: Who Owns the Land?
Sunday 26th June 2022 | Edinburgh Filmhouse | 15:00
The Glen is Ours
Henry Cass | Scotland | 1946 | 30 min | U | English
Gigha: Buying Our Island
Emma Davie | Scotland | 2003 | 60 min | 12A | Documentary | English
Join us for a special event of music, film and discussion exploring the ongoing question of
land rights in Scotland. In the drama The Glen is Ours, a returning soldier leads his community to oppose the sale of the Scottish glen in which they live, whereas the documentary Gigha: Buying Our Island, filmed in the early 00's follows a year in the lives of the Gigha community as they experience the highs, lows and responsibilities of owning their own island home.
The films will be introduced with a short set of live music from Adam Sutherland and followed by an audience discussion on land reform in Scotland, led by a panel of speakers from Bella Caledonia, hosted by Mike Small.
The Glen is Ours
Henry Cass | Scotland | 1946 | 30 min | U | English
Gigha: Buying Our Island
Emma Davie | Scotland | 2003 | 60 min | 12A | Documentary | English
Join us for a special event of music, film and discussion exploring the ongoing question of
land rights in Scotland. In the drama The Glen is Ours, a returning soldier leads his community to oppose the sale of the Scottish glen in which they live, whereas the documentary Gigha: Buying Our Island, filmed in the early 00's follows a year in the lives of the Gigha community as they experience the highs, lows and responsibilities of owning their own island home.
The films will be introduced with a short set of live music from Adam Sutherland and followed by an audience discussion on land reform in Scotland, led by a panel of speakers from Bella Caledonia, hosted by Mike Small.
Films of Action: Coalfield Communities in Lockdown
Wednesday 29th June 2022 | Scottish Storytelling Centre | 17:00
Various Community Filmmakers | Scotland | 2020-22 | 75
Minutes | N/C | Documentary | English with descriptive subtitles
When the pandemic hit in March 2020, it highlighted the inequalities that remain long after the mines closed in Scotland’s coalfields. It also demonstrated how resilient coalfield communities are in finding solutions to their own challenges, quickly self-organising to support residents who are vulnerable or in need; from sharing the responsibility of food provision to collectively writing songs of activism.
Films of Action is a community filmmaking project founded upon the belief that Scotland’s former coalmining areas – in which 10 per cent of the population live – have many inspiring stories to tell. Filmmakers Anne Milne and Shona Thomson worked with the Coalfields Regeneration Trust and Regional Screen Scotland to share big screen stories of lockdown told in people’s own voices. Come along to watch a selection and meet the real on-screen stars, followed by an open discussion on the action needed to support thriving communities.
Various Community Filmmakers | Scotland | 2020-22 | 75
Minutes | N/C | Documentary | English with descriptive subtitles
When the pandemic hit in March 2020, it highlighted the inequalities that remain long after the mines closed in Scotland’s coalfields. It also demonstrated how resilient coalfield communities are in finding solutions to their own challenges, quickly self-organising to support residents who are vulnerable or in need; from sharing the responsibility of food provision to collectively writing songs of activism.
Films of Action is a community filmmaking project founded upon the belief that Scotland’s former coalmining areas – in which 10 per cent of the population live – have many inspiring stories to tell. Filmmakers Anne Milne and Shona Thomson worked with the Coalfields Regeneration Trust and Regional Screen Scotland to share big screen stories of lockdown told in people’s own voices. Come along to watch a selection and meet the real on-screen stars, followed by an open discussion on the action needed to support thriving communities.
The Sang's the Thing
Friday 1st July 2022 | Scottish Storytelling Centre | 17:00
Doc Rowe | England | 2020
Join us for a rare opportunity to watch Doc Rowe’s newly-edited documentary collecting performances of some of Scotland’s most notable singers, including Lizzie Higgins, Ray Fisher, Jane Turriff, the Stewarts of Blair, Willie Scott, Hamish Henderson, Tam Reid,
and Dave & Betty Campbell. Drawn from Doc’s considerable archive of recordings taken over the past 40 years, The Sang’s The Thing offers an unparalleled glimpse into the Scottish folk revival.
The film will be introduced with a short set of live music from Jimmy Hutchison.
Doc Rowe | England | 2020
Join us for a rare opportunity to watch Doc Rowe’s newly-edited documentary collecting performances of some of Scotland’s most notable singers, including Lizzie Higgins, Ray Fisher, Jane Turriff, the Stewarts of Blair, Willie Scott, Hamish Henderson, Tam Reid,
and Dave & Betty Campbell. Drawn from Doc’s considerable archive of recordings taken over the past 40 years, The Sang’s The Thing offers an unparalleled glimpse into the Scottish folk revival.
The film will be introduced with a short set of live music from Jimmy Hutchison.
Folk Film Gathering 2022
Flyer page 1
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or scroll right for a synopsis of each film
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or scroll right for a synopsis of each film
Folk Film Gathering 2022
Flyer page 2
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or scroll right for a synopsis of each film
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Folk Film Gathering 2022
Flyer page 3
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or scroll right for a synopsis of each film
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2022
2021 programme
2021
Folk Film Gathering 2021
click to view poster
or scroll right for a synopsis of each film
or scroll right for a synopsis of each film
Wend Kuuni
Gaston Kaboré | Burkina Faso | 1982
Set in precolonial Africa during the time of the Mossi Empire, Gaston Kaboré’s feature debut follows the story of Wend Kuuni, a young boy who has lost the ability to speak. Found lying near-dead in the dirt, Wend Kuuni is adopted by local villagers and given a new home. Underneath his new life, however, lies a deep, unspoken trauma. With the help of his playful adopted sister Pughneere, will Wend Kuuni be able to face the darkness in his past, and find his voice again? The first feature film to be made in Burkina Faso, ‘Wend Kuuni’ draws from African oral tradition to create a powerful cinematic fable.
Wend Kuuni was presented with the kind support of Africa in Motion.
Set in precolonial Africa during the time of the Mossi Empire, Gaston Kaboré’s feature debut follows the story of Wend Kuuni, a young boy who has lost the ability to speak. Found lying near-dead in the dirt, Wend Kuuni is adopted by local villagers and given a new home. Underneath his new life, however, lies a deep, unspoken trauma. With the help of his playful adopted sister Pughneere, will Wend Kuuni be able to face the darkness in his past, and find his voice again? The first feature film to be made in Burkina Faso, ‘Wend Kuuni’ draws from African oral tradition to create a powerful cinematic fable.
Wend Kuuni was presented with the kind support of Africa in Motion.
Buud Yam
Gaston Kaboré | Burkina Faso | 1997
In a moment of remarkable cinematic continuity, ‘Buud Yaam’ picks up the story of Wend Kuuni and his adopted sister Pughneere 14 years later, featuring the same actors and locations as Gaston Kaboré’s debut feature. Whilst nearly two decades have passed, Wend Kuuni is still ill at ease in his adopted home and remains a source of tension within his community. When Pughneere is struck down by a mysterious illness, Wend Kuuni is faced with a perilous journey across Africa to find the only man who can save her. Drawing on a masterful use of colour, camera work and landscape, ‘Buud Yam’ is one of the great films of world cinema.
Buud Yam was presented with the kind support of Africa in Motion.
In a moment of remarkable cinematic continuity, ‘Buud Yaam’ picks up the story of Wend Kuuni and his adopted sister Pughneere 14 years later, featuring the same actors and locations as Gaston Kaboré’s debut feature. Whilst nearly two decades have passed, Wend Kuuni is still ill at ease in his adopted home and remains a source of tension within his community. When Pughneere is struck down by a mysterious illness, Wend Kuuni is faced with a perilous journey across Africa to find the only man who can save her. Drawing on a masterful use of colour, camera work and landscape, ‘Buud Yam’ is one of the great films of world cinema.
Buud Yam was presented with the kind support of Africa in Motion.
Work, or To Whom Does the World Belong
Elisa Cepedal | Asturias | 2019
After the failure of their last strike, Asturian mine workers are faced between a critical choice between apathy or action. Elisa Cepedal’s debut feature documentary chronicles a powerful history of resistance among the mining communities of Asturias, an autonomous region of Northern Spain separated from the inner plateau by the Canatabrian Mountains. Adopting a daring, innovative approach to cinematic form that mixes aspects of observational documentary with a formally playful approach, Cepedal’s powerful film explores a community negotiating the decline of its core industry.
After the failure of their last strike, Asturian mine workers are faced between a critical choice between apathy or action. Elisa Cepedal’s debut feature documentary chronicles a powerful history of resistance among the mining communities of Asturias, an autonomous region of Northern Spain separated from the inner plateau by the Canatabrian Mountains. Adopting a daring, innovative approach to cinematic form that mixes aspects of observational documentary with a formally playful approach, Cepedal’s powerful film explores a community negotiating the decline of its core industry.
Silence
Pat Collins | Ireland | 2012
Hired as a sound technician to find and record places free of manmade sounds, a young man (Eoghan Mac Giolla Bhríde) travels back to Ireland for the first time in 15 years, finding himself drawn back to the mountains, bogs and lakes of Connemara where he grew up. Through a series of conversations and encounters Eoghan is drawn back to a place of deep personal significance. Blurring the boundary between documentary and fiction, Pat Collins’ meditative feature explores a powerful sense of place, and the deeply- rooted relationship between a young man and the landscape around him.
Hired as a sound technician to find and record places free of manmade sounds, a young man (Eoghan Mac Giolla Bhríde) travels back to Ireland for the first time in 15 years, finding himself drawn back to the mountains, bogs and lakes of Connemara where he grew up. Through a series of conversations and encounters Eoghan is drawn back to a place of deep personal significance. Blurring the boundary between documentary and fiction, Pat Collins’ meditative feature explores a powerful sense of place, and the deeply- rooted relationship between a young man and the landscape around him.
What Happened Here
Amber Collective | England | 2020
On August 24th 1984 - six months into the British miners’ strike - 2000 policemen descended on a small colliery village in County Durham with the aim of getting one man across the picket line. The community of Easington thus found themselves under occupation. Thirty-five years later, the latest film by Tyneside’s Amber Collective looks back upon the events of 1984-85, focussing in particular on the efforts of a number of remarkable women to keep Easington fed during the miner’s strike. Using photography, archive footage and contemporary interviews with community members, Amber explore what happened through the eyes and words of the community. Framing the past within the present, ‘What Happened Here’ is a powerful testament to the dignity, resilience and solidarity of a community under unimaginable pressure.
On August 24th 1984 - six months into the British miners’ strike - 2000 policemen descended on a small colliery village in County Durham with the aim of getting one man across the picket line. The community of Easington thus found themselves under occupation. Thirty-five years later, the latest film by Tyneside’s Amber Collective looks back upon the events of 1984-85, focussing in particular on the efforts of a number of remarkable women to keep Easington fed during the miner’s strike. Using photography, archive footage and contemporary interviews with community members, Amber explore what happened through the eyes and words of the community. Framing the past within the present, ‘What Happened Here’ is a powerful testament to the dignity, resilience and solidarity of a community under unimaginable pressure.
The Secret of Roan Inish
John Sayles | USA | 1994
In Celtic mythology, a selkie is a seal that can shed its skin to become human. A magical cinematic reimagining of selkie stories, ‘The Secret of Roan Inish’ tells the story of Fiona, a young girl who is sent to live with her grandparents in the 1940s, in their small Irish fishing village. There she hears the story of her long-lost brother Jamie, who was stolen by the sea and now lives with the seals. As Fiona wades deeper into the secrets of her past, will she unravel the mystery of Roan Inish and reunite her family? A sublime work of magical realism, John Sayles’ film is one of the great folk tales of world cinema.
In Celtic mythology, a selkie is a seal that can shed its skin to become human. A magical cinematic reimagining of selkie stories, ‘The Secret of Roan Inish’ tells the story of Fiona, a young girl who is sent to live with her grandparents in the 1940s, in their small Irish fishing village. There she hears the story of her long-lost brother Jamie, who was stolen by the sea and now lives with the seals. As Fiona wades deeper into the secrets of her past, will she unravel the mystery of Roan Inish and reunite her family? A sublime work of magical realism, John Sayles’ film is one of the great folk tales of world cinema.
Il Dono
Michelangelo Frammartino | Italy | 2003
In Michelangelo Frammartino’s near wordless first feature, an elderly farmer befriends a woman believed by her family to be possessed, in a small, ageing community in which young people are slowly disappearing to the city. Finding moments of luminous beauty in the rhythms and routines of a community life, ‘Il Dono’ masterfully blurs the boundary between drama and documentary. Led by a cast of non-actors, and driven by the same visionary poetry and humour that Frammartino later brought to the award- winning Il Quattro Volte, ‘Il Dono’ is a gentle yet profound look at the gradual depopulation of a small town in the Calabrian Mountains.
In Michelangelo Frammartino’s near wordless first feature, an elderly farmer befriends a woman believed by her family to be possessed, in a small, ageing community in which young people are slowly disappearing to the city. Finding moments of luminous beauty in the rhythms and routines of a community life, ‘Il Dono’ masterfully blurs the boundary between drama and documentary. Led by a cast of non-actors, and driven by the same visionary poetry and humour that Frammartino later brought to the award- winning Il Quattro Volte, ‘Il Dono’ is a gentle yet profound look at the gradual depopulation of a small town in the Calabrian Mountains.
Henry Glassie: Field Work
Pat Collins | Ireland | 2021
“We are each one of us individuals [and yet] we are all of us members of society”.
Spanning half a century, celebrated American folklorist Henry Glassie has dedicated his life’s work to illuminating the folk art made by communities around the world. Part- portrait of Glassie and part-meditation upon his work, Field Work is an immersive and meditative film set among the rituals and rhythms of working artists across Brazil, Turkey, North Carolina and Ireland. Lyrical and moving, Pat Collins resonant documentary seeks ultimately to illuminate the ‘inescapable complexity’ Glassie saw between the community and the individual.
“We are each one of us individuals [and yet] we are all of us members of society”.
Spanning half a century, celebrated American folklorist Henry Glassie has dedicated his life’s work to illuminating the folk art made by communities around the world. Part- portrait of Glassie and part-meditation upon his work, Field Work is an immersive and meditative film set among the rituals and rhythms of working artists across Brazil, Turkey, North Carolina and Ireland. Lyrical and moving, Pat Collins resonant documentary seeks ultimately to illuminate the ‘inescapable complexity’ Glassie saw between the community and the individual.
Acceptable Levels
Belfast Film Workshop / Frontroom | Northern Ireland | 1983
A BBC film crew is interviewing what they consider to be a typical Catholic family in the Divis Flats in Belfast when the news comes in a child known to the family has been hit by a plastic bullet fired by a British soldier. The British army, however, contests this version of events. Back in London, the producer and researcher editing the footage wrestle with how to present the incident, and with their responsibility to the family they filmed. The first fiction feature to be made under the British Workshop Declaration of the 1980s, ‘Acceptable Levels’ is a powerful meditation the ethics of filmmaking with working class communities, and presents a still-resonant critique of the mainstream media.
A BBC film crew is interviewing what they consider to be a typical Catholic family in the Divis Flats in Belfast when the news comes in a child known to the family has been hit by a plastic bullet fired by a British soldier. The British army, however, contests this version of events. Back in London, the producer and researcher editing the footage wrestle with how to present the incident, and with their responsibility to the family they filmed. The first fiction feature to be made under the British Workshop Declaration of the 1980s, ‘Acceptable Levels’ is a powerful meditation the ethics of filmmaking with working class communities, and presents a still-resonant critique of the mainstream media.
Aquarius
Kleber Mendonça Filho | Brazil | 2016
65-year old music critic Clara (Sônia Braga) is the last remaining resident of the Aquarius building in Recife. Strong-willed and defiant, Clara has survived cancer and the death of her husband, yet now faces another battle when property developers seek to remove her from her apartment. Who will win the battle of wills that ensues? A celebration of powerful womanhood and a resonant critique of urban gentrification, Kleber Mendonça Filho’s (‘Neighbouring Sounds’, ‘Bacurau’) second feature is a rich, humorous tale of survival and resistance.
65-year old music critic Clara (Sônia Braga) is the last remaining resident of the Aquarius building in Recife. Strong-willed and defiant, Clara has survived cancer and the death of her husband, yet now faces another battle when property developers seek to remove her from her apartment. Who will win the battle of wills that ensues? A celebration of powerful womanhood and a resonant critique of urban gentrification, Kleber Mendonça Filho’s (‘Neighbouring Sounds’, ‘Bacurau’) second feature is a rich, humorous tale of survival and resistance.
Atanarjuat - The Fast Runner
Zacharius Kunuk | Nunavut | 2001
Drawing from Inuit oral culture and a story he first heard from his mother, Zacharius Kunuk’s Camera D’Or-winning debut feature is an epic narrative of a community confronting an ancient evil. Atanarjuat is the fastest runner in Igloolik, who finds himself falling in love with the gentle Atuat. Yet Atuat is betrothed to Uki, a dangerous young man whose family has become corrupted by a terrifying darkness. Ultimately the rivalry between Atuat and Uki will lead to a hazardous chase across the Canadian Arctic, and to a climactic reckoning wherein the community must come together to face its past. Made collectively by Isuma TV with local communities in Igloolik, ‘Atanarjuat’ is powerful statement of Inuit vitality and dignity, and a visionary work of cinema.
Drawing from Inuit oral culture and a story he first heard from his mother, Zacharius Kunuk’s Camera D’Or-winning debut feature is an epic narrative of a community confronting an ancient evil. Atanarjuat is the fastest runner in Igloolik, who finds himself falling in love with the gentle Atuat. Yet Atuat is betrothed to Uki, a dangerous young man whose family has become corrupted by a terrifying darkness. Ultimately the rivalry between Atuat and Uki will lead to a hazardous chase across the Canadian Arctic, and to a climactic reckoning wherein the community must come together to face its past. Made collectively by Isuma TV with local communities in Igloolik, ‘Atanarjuat’ is powerful statement of Inuit vitality and dignity, and a visionary work of cinema.